zerode – a sensibility

film, music, text, city, spectacle, pleasure

When the Wind Blows (1986)

So, yeah, with the anniversaries of Hiroshima and Nagasaki having just passed, with everyone going to see Oppenheimer, and with war in Europe and increasing tensions with China and Russia and North Korea out there doing its thing, and with the United States still possessing more than 5,000 nuclear weapons

Ranked 40th in a TimeOut list of the 100 best animated films done in 2014:

A sick joke on paper, this devastating domestic drama today feels like one of the more honest works of the anti-nuke movement. It’s a complete and utter downer, making a larger point subtly through the employment of animation itself: Such an adorably hand-drawn universe is too precious to last in a world of mutually assured destruction. We’re all living in a cartoon if we actually believe survival is possible when the radiation headaches mount and your hair starts failing out in tufts. (Heartbreakingly, the husband assures his wife that women don’t go bald—a “scientific fact.”) Big-name pop stars lent their music to the cause, including Roger Waters, Squeeze and David Bowie, who crooned the soulful, undanceable title track. If you haven’t seen this one, that’s totally understandable; it makes The Day After look like a gentle summer shower.—Joshua Rothkopf

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zerode

is an over-caffeinated and under-employed grad school dropout, aspiring leftwing intellectual and cultural studies academic, and cinéaste. Raised in San Francisco on classic film, radical politics, burritos and soul music, then set loose upon the world. He spends his time in coffee shops with his laptop and headphones, caffeinating and trying to construct a post-whatever life.

What's in a name... The handle "zerode" is a contraction of Zéro de Conduite, the title of Jean Vigo's 1933 movie masterpiece about schoolboy rebellion.