zerode – a sensibility

film, music, text, city, spectacle, pleasure

Hey, Hey, Hey

If you are of an age and a class and a space with me, then we probably share similar memories of Saturday morning – eating big bowls of breakfast cereal and watching cartoons, like Scooby-Doo (the original, not any of the later, lesser incarnations), Johnny Quest, and… Fat Albert and the Cosby Kids.

You’ll have some fun now…

As Time Out Chicago suggests, for those of us who grew up on them and now have kids of our own, TV shows such as Fat Albert can make a nice change from the dreck being dished out on TV for our kids these days.

But Fat Albert serves another important role in my relationship with my stepson Misha beyond just keeping him occupied and entertained – it gives him some insight into the culture that shaped me, and crucially introduces him to African American life and culture, which was so formative for me, growing up in a black neighborhood in the 1970s, but is completely foreign to him out in the white suburbs of Australia.

(I’ve stocked the basket of reading material in the toilet with Boondocks collections to give him a more up-to-date version and vision of that life and culture. And in a year or two… The Autobiography of Malcolm X and Eyes on the Prize)

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The 400 Blows

zerode

is an over-caffeinated and under-employed grad school dropout, aspiring leftwing intellectual and cultural studies academic, and cinéaste. Raised in San Francisco on classic film, radical politics, burritos and soul music, then set loose upon the world. He spends his time in coffee shops with his laptop and headphones, caffeinating and trying to construct a post-whatever life.

What's in a name... The handle "zerode" is a contraction of Zéro de Conduite, the title of Jean Vigo's 1933 movie masterpiece about schoolboy rebellion.